Hudson worked as a creative director at Microsoft Studios, where he focused on creating experiences for the company’s mixed reality technology, HoloLens. Hudson departed Bioware before Mass Effect Andromeda was fully developed, despite being engaged in the game’s early design phases. Hudson spent the bulk of his career as a developer at Bioware, starting as a technical artist on MDK2 before rising through the ranks to project director on titles such as Star Wars: Knights of the Old Republic, Jade Empire, and, of course, the original Mass Effect trilogy.
It’ll be unlike anything you’ve ever experienced, but if we do it properly, it’ll feel very BioWare.”
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“It’s in that spirit that we’re working on Anthem, a game that’s intended to immerse you in a new universe of narrative and characters that you can share with your friends in a series of adventures. And our games must be built in such a way that they can keep providing fresh tales and experiences to players in the worlds we’re co-creating. We need to surprise and excite players with new experiences and innovations, but we also need to remain focused on the setting, character, and narrative aspects that players expect from our games. “That encounter proved to be a watershed point in BioWare’s mission emphasis.
We were unable to provide narrative DLC for Andromeda, as you are aware, which was as disappointing for us as it was for players, and it was something we knew we needed to address in future games. “Mass Effect: Andromeda had just been published when I returned to BioWare last summer, and there was a strong movement among gamers clamoring for a narrative DLC that would address concerns about the fate of the quarians. Hudson highlighted the studio’s intentions to create a strong narrative for its future game in a recent blog post about Anthem, emphasizing the significance of story: Casey Hudson, Bioware’s general manager, admits that the company could have spent more time on the story of its most recent game, Mass Effect Andromeda.
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